"A LITTLE SPACE" SELECTS KENNY LOVE AS ITS NATIONAL RECORD PROMOTER FOR DEBUT RELEASE.

Recording artist, "A little space" announces its hiring of nationally respected music promoter, Kenny Love, for its worldwide release on Independent Records titled, "A little space". The L.A. based group presents a very original "Rhythm & Jazz" style, tuneful, intelligently written songs with heart.

"A LITTLE SPACE" SELECTS KENNY LOVE AS ITS NATIONAL RECORD PROMOTER FOR DEBUT

RELEASE

"Jazz connoisseurs are in for a really surprising treat with the new Contemporary

Jazz act, 'A Little Space'. ALS effortlessly mixes the elements of

acid, fusion and smooth into its Jazz repertoire, resulting in a richly sweet

dessert. This is one dish that has appetizing servings on it for all

Jazz diners." - Kenny Love

Email: kenlove@txucom.net

Url: http://www.musicdish.com/kennylove

A little space presents "Rhythm & Jazz". Tuneful, intelligently written

songs with heart. It's jazzy, it's funky, it grooves, male vocals and instrumentals.

Building on the sounds of artists such as Steely Dan, Al Jarreau and Sting,

though uniquely original.

While completely accessible, the music is truly original, not at all

a formula copy of every other artist. Lyrically, the music offers many unique

perspectives on personal control and communications, a celebration of the

senses observing the world around us. It's the best parts of what American

music is about in the present.

Take a base of jazzy chords, funky syncopated rhythms, focused melodies

from both strong vocal and instrumental performances. Add the finesse of

jazz, the grooves of funk and the energy of an electric band working together

to come up with a mix of power and beauty that is A little space.

The CD album: A little space

The self-titled first CD album "A little space" was released in May 2002

on Independent Records IR09712, presented online at the band web site of

http://alittlespace.biz

where instant streaming of the album tracks is available.

The CD is a musically varied collection of 14 songs. The 9 Vocal songs

present sophisticated song oriented jazzy funk with style, including 3 intimate

ballads. The vocals songs can be considered in the "pop" category as being

tuneful, with strong melodies. The album's 5 Instrumental tracks present

grooving funk, cool sax and high energy electric guitar. Closing with a string

quartet requiem and a art concept piece featuring the Alembic bass guitar.

Song Insights - Vocal Songs

1) Pictures Of You (4:31)

Up Tempo Groovin Jazz/Funk. About getting what you want using light in

a photographic manner to capture time and memories in a physical manner.

Terrell Moran - Vocals; Big Al - Alembic Essence 5 Bass, Fender Stratocaster,

MIDI everything else.

2) Sure There Is (4:21) A ballad, a strong romantic statement.

The observer is convinced that the existance of all the senses are provide

for the purpose of experiencing their romantic interest. Terrell Moran -

Vocals; Big Al - Alembic Essence 5 Bass, Yamaha APX-4A Acoustic Guitar, MIDI

everything else.

3) My Own Sweet Time (4:41) 70?s Funk. A little personal control

is a good thing. A statement of non-compliance with conformity. Terrell Moran

- Vocals; Dean Roubicek - Tenor Sax; Big Al - Alembic Essence 5 Bass, Fender

Stratocaster, MIDI everything else.

4) She Walks, She Talks (4:22)

Modern Motown Funk. The songwriter is a Bass player from Detroit, this

groove is required. A very original bass line drives this R&B dance song

with style. Lyrically, an acknowledge ment of the independent feminine spirit.

Terrell Moran - Vocals; Big Al - Alembic Essence 5 Bass, MIDI everything

else.

5) Story Of My Life (4:33)

A lush ballad, a song of regret, about wanting to do the right thing, yet

it never works out. That hauntingly beautiful theme is an English Horn. In

a break from tradition, this song starts with the chorus. Terrell Moran -

Lead Vocals; Big Al - Backing Vocals, fretless Fender Jazz Bass, Fender Stratocaster,

MIDI everything else.

6) Need To Know (4:32) Almost funk, but not a ballad. About verbalizing

the things that often are understood and left unsaid. Terrell Moran - Vocals;

Big Al - Alembic Essence 5 Bass, Fender Stratocaster, MIDI everything else.

7) Waiting (4:58) Bluesy slow funk, almost a ballad. About keeping

and breaking promises to show up and the angst and confusion it brings when

broken. Terrell Moran - Vocal; Michael A. Willis - Lead Guitar; Big Al - fretless

Fender Jazz Bass, Fender Stratocaster, MIDI everything else.

8) Hanging Around (4:34) A jazz ballad, semi-acoustic. About stating

the intimately obvious fact of not taking for granted the grace of someone's

presence. Terrell Moran - Vocals; Big Al - fretless Fender Jazz Bass, Yamaha

APX-4A Acoustic Guitar, Fender Stratocaster, MIDI everything else.

9) Sometimes Its Beautiful (4:11) Bright, semi-acoustic jazzy

pop. About the choices we make every day in human communication regarding

the risks and rewards in talking to strangers. Big Al - Vocal, fretless Fender

Jazz Bass, Yamaha APX-4A acoustic guitar, MIDI drums.

Song Insights - Instrumental Songs

10) Yes I Would (3:41)

Latin / Jazz, Up-tempo Bossa Nova. This song is another rule-breaker in

that the Verse sections have 3 distictly different melodies. Some body part

will be moving after listening to this song for at least 30 seconds. Soprano

Sax and Electric Guitar share the melody statements. Dean Roubicek - Soprano

Sax; Big Al - fretless Fender Jazz Bass, Fender Stratocaster, MIDI everything

else.

This song is a prize winner in the Jazz category of the 2001 John Lennon

Songwriting Contest.

11) Pick and Roll (4:57) Hard Funk. Good theme for the World Champion

Los Angeles Lakers. A sophisticated chord arrangement over aggressive funk

rhythm offers soloists a favored environment. Electric Guitar melody statements

and solo. Derek Soros - Lead Guitar - Fender Stratocaster; Big Al - Alembic

Essence 5 Bass, Rhythm guitar - Fender Stratocaster, MIDI everything else.

12) Curve In The Road (3:55) Groovin Funk, Acid/Jazz. Good music

to drive fast on curvy roads or the soundtrack to your morning run. A strong

Bass line drives the Tenor Sax led melody. Dean Roubicek - Tenor Sax; Big

Al - Pulcinella Level 5 Bass, Fender Stratocaster, MIDI everything else.

13) Heart In My Hand (3:06) Chamber pop, string quartet with light

drums and piano. A requiem for the victims of Sept. 11 2001. A somber but

beautiful piece that would do well in movie soundtracks. Big Al - MIDI everything.

14) Where Have You Been (3:30) Bass Feature, yet another rule-breaker,

spotlighting the electric bass as a melody instrument. A solo bass piece in

5 flavors. Your composer has in fact listened to some Mozart records.