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Experimental art composer-improviser and technologist Carole Kim to create video projections in a sonic exploration on the web and in real space held simultaneously in New York and Los Angeles Sunday November 3, 2002.
New York and Los Angeles hook up for a real time simulated live art & sound performance in both cities. Live improvisation by musicians in each space together with the contributions of remote performers all responding in real-time to a networked video score.
Witness InteraXis
A sonic exploration on the web and in real space. A multi-site, network based art performance.
Simultaneous live performances in two cities connected via a streaming communications link. An exchange of sounds and data in real-time.
Live improvisation by musicians in each space
together with the contributions of remote performers all responding in real-time to a networked video score.
Live audiences in the performance spaces as an Internet audience tunes in live to either stream
to experience the project from afar.
WHAT: interaXis is an investigation into the possibilities of improvisation, form, and presentation in multi-site, network-based
performance. A group of accomplished composer-improvisers and technologists
come together to create a dynamic, structured, experimental sonic exploration on the web and in real space. The live performers/ and
musician-web artists will be performing with one another, simultaneously in New York and Los Angeles, guided by a large-scale projected video score.
HYPERLINK: http://turbulence.org/Works/interaxis
WHO:
At CalArts: Wadada Leo Smith, Mark Trayle, and Karen Elaine Bakunin
At Engine 27: Nick Didkovsky, Dafna Naphtali, and Pheroan Aklaff
Video Artist: Carole Kim
Project Director: Jesse Gilbert
WHEN: Sunday, November 3rd, 2002
WHERE: New York -- 8pm [Eastern Standard Time]
Engine27
173 Franklin Street
New York, NY 10013
Los Angeles -- 5pm [Pacific Standard Time]
Roy O. Disney Concert Hall
School of Music, California Institute of the Arts
24700 McBean Parkway, Valencia, CA 91355
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