Journal Posts New Proof of JFK Film Fakery: Conclusive Evidence Claim Experts

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A new study of eyewitness reports published in assassinationresearch.com has revealed a major discrepancy between the actual sequence of events these witnesses observed and the sequence presented in home movies of the assassination known as the Zapruder film and the Nix film. The witnesses reported that a motorcycle patrolman rode forward to the lead car to advise the Chief of Police that the President had been shot. Neither film shows it.

The editor of Assassination Research, James H. Fetzer, Ph.D., has announced the discovery of new proof that the home movies of the assassination of JFK known as the Zapruder film and a second known as the Nix film are fakes. (The Nix film was taken from the opposite side looking toward "the grassy knoll.") Both were subject to extensive alteration to fabricate evidence of the crime and keep the truth about the sequence of events in Dealey Plaza from the American people. Fetzer, McKnight Professor Emeritus at the University of Minnesota, observed that the films are authentic only if the visible events they record correspond to the actual sequence of events at the time. "This proof is based upon the convergent testimony of motorcycle patrolmen, members of the Secret Service, and the Dallas Chief of Police," said Fetzer. "That it contradicts the official account of the assassination recorded in the films qualifies as a major breakthrough."

The evidence emerged as an unexpected outcome of the collation of eyewitness reports in Dealey Plaza conducted by John P. Costella, Ph.D., who co-edits assassinationresearch.com with Fetzer. Costella earned his Ph.D. in physics with a specialty in electromagnetism, including the physics of light and of moving objects. What he discovered were multiple, consistent and reinforcing reports that James Chaney, a motorcycle patrolman who was to the right rear of the presidential limousine, rode forward to tell Jesse Curry, Dallas Chief of Police--who was in the lead car with the head of the Secret Service in Dallas, Agent Forrest Sorrels, and a second Secret Service Agent, Winston Lawson--that the President had been shot. This led Chief Curry to issue instructions for the limousine to be escorted to Parkland Hospital, where the President would be pronounced dead 30 minutes later. Bobby Hargis, a motorcycle patrolman riding on the left rear, confirmed Chaney's report. But this sequence is in neither the Zapruder film nor the Nix film.

Part of the power of Costella's new findings is that they can be appraised by anyone with access to the film, which is archived at assassinationscience.com, and his collation of reports at Assassination Research 5/1 (2007), assassinationresearch/v5n1/v5n1costella.pdf . As illustrations of what he has uncovered, here are some of the reports from the officials who were involved:

  • James Chaney (motorcycle patrolman on right rear of the Presidential limousine): "I went ahead of the President's car to inform Chief Curry that the President had been hit. And then he instructed us over the air to take him to Parkland Hospital and that Parkland was standing by."
  • Bobby Hargis (motorcycle patrolman on left rear of the Presidential limousine): "The motorcycle officer on the right side of the car was Jim Chaney. He immediately went forward and announced to the Chief that the President had been shot."
  • Winston Lawson (Secret Service Agent in the lead car in front of the Presidential limousine): "A motorcycle escort officer pulled along side our Lead Car and said the President had been shot. Chief Curry gave a signal over the radio for police to converge on the area of the incident."
  • Forrest Sorrels (Secret Service Agent in the lead car in front of the Presidential limousine): "A motorcycle patrolman pulled up alongside of the car and Chief Curry yelled, 'Is anybody hurt?', to which the officer responded in the affirmative."
  • Chief Jesse Curry (in the lead car in front of the Presidential limousine): "...about this time a motorcycle officer, I believe it was Officer Chaney, rode up beside us and I asked if something happened back there and he said, 'Yes,' and I said 'Has somebody been shot?" And he said, 'I think so.'"

There are multiple sources for their testimony, which is corroborated by that of others, including, for example, Marrion Baker, a Dallas Police Officer, who immediately thereafter entered the Book Depository and confronted Lee Oswald in the 2nd floor lunchroom. Costella's study provides additional citations.

This stunning new proof of the fabrication of the two most important films of the assassination focuses attention on the agency in immediate control of the most important evidence in the assassination, which was the Secret Service. Indeed, there are more than 15 indications of Secret Service complicity in setting up JFK for the hit, including leaving two Secret Service agents at Love Field; ordering the vehicles in the wrong sequence, with the President's first instead of in the middle of the motorcade; not welding manhole covers; not covering the open windows; allowing the crowd to spill out into the street; ordering the 112th Military Intelligence unit to "stand down"; directing the accompanying motorcycle officers to not ride forward beyond the rear wheels; taking an improper motorcade route; not responding when shots began to be fired; pulling the limo to the left and to a halt to insure he would be killed; using a bucket of water and sponge to clean blood and brains from the back seat at Parkland Hospital; and sending the limo back to Ford Motor Company to be dismantled and rebuilt.

These are not the only indications of Secret Service complicity, Fetzer said. In the wake of the enormous resurgence of interest in the assassination following the release of Oliver Stone's "JFK", Congress passed a JFK Records Act creating a five-member civilian board entrusted with the responsibility of declassifying documents and records held by the CIA, the FBI, the Secret Service, and other government organizations, where the panel's decisions could only be overridden by the President himself, who was then Bill Clinton. Although Clinton never intervened to stop the release of evidence, when the Secret Service learned that the panel wanted copies of Presidential Protection Records for other motorcades involving President Kennedy, instead of releasing them it destroyed them. "I can't imagine a more telling indication of consciousness of guilt," said Fetzer, who has edited three books and chaired or co-chaired four conferences on the death of JFK.

Another fascinating source of information has come from Rich DellaRosa, who today moderates a research site at JFKresearch.com. He reports having seen what appears to be the original film on three occasions. He observed the limo driver steer to the left. The stop was so sudden that it jostled the occupants. This observation is confirmed by close study of the Zapruder film itself, where frames show passengers being thrown forward immediately after the head shot at Frame 313. This indicates that the sequence of events has been reversed. There were actually two head shots before the vehicle resumed its forward movement. DellaRosa's report can be found as Appendix E of The Great Zapruder Film Hoax (2003), which includes a color photo section that reveals the massive blow-out to the President's head, which is visible in Frame 374. The wound corresponds closely to diagrams from physicians and studies of the alteration of the cranial X-rays by David W. Mantik, M.D., Ph.D., in Assassination Science (1998). These fabrications were used to discount witness reports (at least 40, including at Parkland and at Bethsda) of such a blowout.

That Greer pulled the limo to the left and stopped was such powerful proof of Secret Service complicity that it had to be taken out. Jack White, a legendary photo-analyst, has detected dozens and dozens of anomalies in the photos and films from the assassination and has been the most consistent critic of the presumption of authenticity of the film in the history of its study. "The Zapruder film was a necessary part of the plot so the conspirators could control the official story," White observed. "The motorcade stopping and anything associated with that sequence had to be removed. The lead car pulled to the curb, along with the other cars, and Chaney rode forward to advise Curry. Any actual film of the motorcade at that moment would show chaos--conflicting with the needs of the official story. It had to be massively edited to keep control."

"The official account presented in The Warren Report (1964) and in Gerald Posner's Case Closed (1992)," Fetzer said, "is predicated upon the 'magic bullet' theory and the authenticity of the films and photographs." The "magic bullet" theory, however, is not only provably false but not even anatomically possible as assassinationscience.com/ReasoningAboutAssassinations.pdf, explains. "I have been stunned by the lengths to which some have gone in their attempts to defend the Zapruder film from criticism. Josiah Thompson, author of Six Seconds in Dallas (1967), an analysis based on the film, recently appeared in 'Oswald's Ghost,' an obvious work of disinformation, and asserted, "The Zapruder film is the basic evidence in this case'! That is not only an abuse of language--since, as David Lifton, author of Best Evidence (1980), has emphasized, the body is the best evidence--but we have conclusive evidence that the film has been faked."

Fetzer also expressed disillusionment with Noam Chomsky, who has dismissed the very idea that JFK was taken out by a conspiracy. "Major policy issues were involved here, including withdrawing our advisors from Vietnam, reforming or abolishing the Fed, cracking down on organized crime, and cutting the oil depletion allowance. LBJ wanted to be 'President of all the people' and his chance was slipping through his fingers. Even Nixon was quoted in the Dallas paper that morning speculating that he would not be on the ticket in 1964. Discoveries like these indicate high-level complicity by elements of various agencies, including the Secret Service and the FBI. I hope that skeptics like Chomsky and zealots like Thompson finally come to their senses. Not only is the Zapruder film a fake but other films and photographs, such as the Nix and Muchmore, have been altered to conform to it."

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