Lee Price Unveils Exhibition of New Hyperrealistic Nudes and Figurative Paintings at EVOKE Contemporary

Share Article

American contemporary figurative realist painter, Lee Price focuses on the subject of food with the solitary female figure in private, intimate settings - figures that are always lost in what might appear to be the bliss of consumption in highly unusual environments and portrayed from a unique aerial point of view. The exhibition opens Friday May 3rd from 5pm - 7pm and the artist will be in attendance at EVOKE Contemporary, 130 Lincoln Avenue, Suite F, Santa Fe, New Mexico.

Lee Price Tea

My paintings ask what is it that truly nourishes us and how truthful can we be about the size of our hunger?

“In this society, there’s so much pressure for women to be thin. We’re not supposed to have appetites—and not just for food, but for a lot of things. We’re the givers and not the consumers, and I think some of my recent paintings are about the women staring at the viewers and saying, ‘I’m not going to censor my appetite,’” says Price.

There are two threads that Lee Price's paintings follow: One being a discussion on women’s relationship with food, the other being a discussion on compulsive behavior. At times the two threads intertwine.

The overhead perspective emphasizes the fact that the women are watching their own actions; watching themselves in the middle of their out of control behavior but unable to stop. The settings are private spaces, spaces of solitude, and mainly, unusual places to find someone eating. The private space emphasizes the secrecy of compulsive behavior and the unusual settings emphasize its absurdity. The solitude/peace of the setting is a good juxtaposition to the frenetic, out of control feel of the woman's actions.

One of the most potent messages these pieces deliver is that of excessive waste. Not just material waste but the waste of time and energy that is used up in obsession. Energy that could be directed towards productive endeavors, through our compulsive activity, is instead being used to wrap us in a cocoon. Where we could be walking forward, we instead paralyze ourselves. For the women in these paintings, even with an excess of food, there is no nourishment. Unable to sit with the discomfort/unease of the present moment, these women take in excessive amounts and in the process are shutting out the possibility of being truly nourished. Women are still brought up to be givers. To nurture others at the expense of our own needs. We hide our appetites, not just for food but in many areas of our lives, and then consume in secret.

"My paintings ask what is it that truly nourishes us and how truthful can we be about the size of our hunger?" Lee Price

Share article on social media or email:

View article via:

Pdf Print

Contact Author

Kathrine Erickson
Follow us on
Visit website