Layne Publications Announces Release of Several New Songs Including Arab Bounce Mandolin Tab

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Layne Publications is the #1 place to find bluegrass, gospel, traditional, and seasonal music tabs for the guitar, banjo, and mandolin. Recently Layne Publications released several new songs including a bluegrass favorite, the Arab Bounce at

Layne Publications is a unique business that offers high quality bluegrass tabs online. They offer bluegrass, gospel, traditional, and seasonal music for the banjo, guitar, and mandolin. It is rare for a music site to offer high quality tabs for more traditional and less conventional music and musical instruments. With the current changes in music popularity, more music students in a broader collection of ages want to learn different music.

A spark of interest in the banjo and mandolin over the past few years have led to a broader range of musical styles being learned. And when it comes to bluegrass music online, there is only one place to look, Layne Publications. Layne Publications has hundreds of high quality, professionally created music tabs. Other websites offer as much for much higher prices, but Layne Publications goes a step further and includes a few unique tools to help their customer learn new songs as quickly and easily as possible. Each tab comes with a tab, full sheet music, an MP3 of the song selected, and a specialty Layne Publications JAM Track. These JAM Tracks are often praised by Layne Publications fans as the best way to learn a new song.

About Layne Publications

Since 2005 has been the premier source for Bluegrass Instruction and learning. We've sold thousands of tabs and help thousands of players improve their ability in the comfort of their own home. They can then take this new skill out to their local bluegrass jam session or to the next practice with their band and show off what they've learned. It gives them the chance to practice things at home without the pressure of getting it right the first time. They can take their time. Stop, rewind and continue going over that trouble spot without the bass player standing there giving them the evil eye because he wants to move on to the next song.

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Jordan Layne Bourland
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