Since 2005 Layne Publications has been the premier source for Bluegrass Instruction and learning.
Greenville, SC (PRWEB) February 15, 2013
Thousands of music fanatics looking to master the art of bluegrass music can now find out all they ever wanted in Layne Publications. This distinguished music education website has recently introduced an advanced learning system that makes it possible to learn all aspects of bluegrass music for a nominal expense without having to attend music classes. The website of Layne Publications is a popular online destination for its comprehensive collection of bluegrass tabs.
Layne Publications is owned and managed by noted professional bluegrass musician Jordan Layne Bourland. Since the launch of the company in 2005, Jordan's dedication and understanding of bluegrass music has made Layne Publications a reliable resource for music lovers. Now, Jordan has worked out an effective learning program making use of the huge collections of tabs for guitar, mandolin and banjo present in the website. A number of enhancements of the website are also on the cards, according to official sources.
All banjo, guitar, and mandolin tabs present in the website have been composed by Jordan, offering maximum benefits to his students. When asked about his new learning system, he said," Since we already have a huge collection of bluegrass tabs, it is very easy to work out a program that helps aspiring musicians to learn bluegrass music. This will make music education a breeze within a quick time".
About Layne Publications
Since 2005 Layne Publications has been the premier source for Bluegrass Instruction and learning. They have sold thousands of tabs and helped thousands of players improve their ability in the comfort of their own home. Students can then take this new skill out to their local bluegrass jam session or to the next practice with their band and show off what they've learned. It gives them the chance to practice things at home without the pressure of getting it right the first time. They can stop, rewind and continue going over that trouble spot without the bass player standing there giving them the evil eye because it wants to move on to the next song.