Layne Publications Announces the Official Release of Fireball Mail Banjo Tab & Jam Track.

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Renowned bluegrass music learning platform http://www.laynepublications.com/ has just included another popular bluegrass tab in their official website. Highly acclaimed Fireball Mail Banjo Tab & Jam Track is now available for download at Layne Publications for only $2.99.

Layne Publications
Since 2005 Layne Publications has been the premier source for Bluegrass Instruction and learning.

Layne Publications has just announced the official release of Fireball Mail Banjo Tab & Jam Track. This highly on demand tab is now available for download in the website for a price of $2.99 only. Since the launch of the website in the year 2005, Layne Publications has gradually emerged as the most trusted online learning website for the aspiring bluegrass musicians.

Layne Publications is particularly popular for its massive collection of bluegrass tabs. The latest addition to the website comprises of a chord chart for the song and two high quality MP3 backing tracks conforming to the highest industry standard. This tab will provide a learning experience similar to playing with a bluegrass tab because one of the backing tracks has been recorded without banjo.

Layne Publications is owned and managed by Jordan Layne Bourland, a renowned bluegrass musician with a wealth of experience. Through this website, Jordan shares his knowledge and expertise with the aspiring musicians of the new generation.

About Layne Publications
Since 2005 Layne Publications has been the premier source for Bluegrass Instruction and learning. They have sold thousands of tabs and helped thousands of players improve their ability in the comfort of their own home. Students can then take this new skill out to their local bluegrass jam session or to the next practice with their band and show off what they've learned. It gives them the chance to practice things at home without the pressure of getting it right the first time. They can stop, rewind and continue going over that trouble spot without the bass player standing there giving them the evil eye because it wants to move on to the next song.

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Jordan Layne Bourland
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