Culture Shock Miami and the African Heritage Cultural Arts Center Present An Evening with Savion Glover & Jack DeJohnette at South Miami-Dade Cultural Arts Center

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Program combines the high-energy rhythms of hoofing and percussion

The African Heritage Cultural Arts Center joins forces with Culture Shock Miami to copresent two of America’s leading legends of rhythm, Tony Award-winning dancer choreographer Savion Glover and Grammy Award-winner drummer Jack DeJohnette on the Main Stage of South Miami-Dade Cultural Arts Center.

The program is called An Evening with Savion Glover & John DeJohnette and will be performed on Saturday, March 5, 2016 at 8 PM.

In celebration of its forty years of service, the African Heritage Cultural Arts Centrer arranged with Culture Shock Miami to present this tour de force of percussion and rhythm that glorifies the vibrational power exchanged between the two artists, DeJohnette and Glover. Joined by Miami Hoofer Marshall Davis, Jr. and friends, the headliners take the audience on a journey of melodies extracting unprecedented and beautiful music.

Watch teaser video of a recent performance:

The New York Times declared, “Glover’s strength doesn't stop at his feet. It pumps through his body, lanky and tightly wound, radiating out like an electrical force.”

JackDeJohnette was voted the leading drumnmer of Downbeat Magazine’s 2015 Readers’ Poll.


An Evening with Savion Glover & John DeJohnette
Saturday, March 5, 2016 at 8 PM
South Miami-Dade Cultural Arts Center – Main Stage

Tickets Prices: $5 tickets for ages 13-22 exclusively at Full price Tickets through $20-$40 and $10 for Youth Tickets for 12 years old and under. These tickets are available online at or through the SMDCAC box office by calling 786-573-5300. $5 Culture Shock Miami tickets are not sold through the SMDCAC Box Office or through Culture Shock Miami ticket sales for this performance end on Friday, March 4, 2016 at 11:59 PM. No $5 tickets are available through the SMDCAC box office.


SAVION GLOVER is a Tony Award winning choreographer and legendary Hoofer whose career has spanned four decades. He began his Broadway stage career as The Tap Dance Kid, and continued with Black and Blue, Jelly's Last Jam, and his unprecedented Award winning Bring in da Noise and Bring in da Funk, which garnered him a Tony Award for Best Choreography. He is currently choreographing the much anticipated Broadway sensation, Shuffle Along with his longtime collaborator George C. Wolfe. In addition to his extensive Broadway career as a performer and choreographer, Savion has created many tap repertoires that tour worldwide including Bare Soundz, Classical Savion, OM, StepZ, Solo in Time, Sole Sanctuary, Improvography, Footnotes, and Savion Glover's Holiday Spectacular. In addition to creating his ongoing bodies of work, Savion has enjoyed performing worldwide with jazz legends including McCoy Tyner, Roy Haynes, and Jack DeJohnette. Mr. Glover's film credits include Tap, starring Gregory Hines and Sammy Davis, Jr.; Spike Lee's Bamboozled, George Miller's Happy Feet 1 and Happy Feet 2 ~ and has appeared on television in commercials such as Free Style Nike, as well as a longstanding performer in Sesame Street. As a child, he was privileged to dance and be guided by the great Bunny Briggs, Buster Brown, Lon Chaney, Gregory Hines, Sammy Davis, Jr., Jimmy Slyde, and Diane Walker, to name a few. Savion currently serves as the 2016 Ambassador of Dance at the New Jersey Performing Arts Center, as well as serving on the Board of Directors.

JACK DEJOHNETTE - In a career that spans five decades and includes collaborations with some of the most iconic figures in modern jazz, National Endowment for the Arts and Grammy winner Jack DeJohnette has established an unchallenged reputation as one of the greatest drummers in the history of the genre. The list of creative associations throughout his career is lengthy and diverse: John Coltrane, Miles Davis, Ornette Coleman, Sonny Rollins, Thelonious Monk, Bill Evans, Stan Getz, Keith Jarrett, Chet Baker, George Benson, Stanley Turrentine, Herbie Hancock, Dave Holland, Joe Henderson, Freddy Hubbard, Betty Carter and so many more. Along the way, he has developed a versatility that allows room for hard bop, R&B, world music, avant-garde, and just about every other style to emerge in the past half-century.

Born in Chicago in 1942, DeJohnette grew up in a family where music and music appreciation was a high priority. Beginning at age four, he studied classical piano privately and later at the Chicago Conservatory of Music. He added the drums to his repertoire when he joined his high school band.

In 1968, DeJohnette joined Miles Davis’s group just prior to the recording of Bitches Brew, an album that triggered a seismic shift in jazz and permanently changed the direction of the music. Miles later wrote in his autobiography: “Jack DeJohnette gave me a deep groove that I just loved to play over.” DeJohnette stayed with Davis for three years, making important contributions to prominent Davis recordings like Live-Evil and A Tribute to Jack Johnson (both in 1971) and On the Corner (1972).

During this same period, DeJohnette also recorded his first albums as a leader, beginning with The DeJohnette Complex in 1968 on Milestone. He followed up with Have You Heard in 1970, then switched to Prestige, where he released Sorcery in 1974 and Cosmic Chicken in 1975.

The mid 1970s were marked by a series of short-lived groups and projects – many of them leaning toward the experimental side of jazz, including The Gateway Trio (featuring Dave Holland and John Abercrombie), Directions (with Abercrombie and saxophonist Alex Foster), and New Directions (Abercrombie, with Eddie Gomez on bass). Special Edition – which helped launch the careers of little known musicians like David Murray, Arthur Blythe, Chico Freeman, John Purcell and Rufus Reid – remained active into the 1990s, although the project was frequently interrupted by DeJohnette’s various other collaborative ventures, especially recordings and tours with Keith Jarrett.

DeJohnette has worked extensively with Jarrett as part of a longstanding trio with Gary Peacock. The threesome will celebrate its 30th anniversary in 2013.

In 2011, he was chosen to perform at the Kennedy Center in tribute to his longtime friend and musical inspiration, Sonny Rollins. Marking his 70th birthday in 2012, he received a National Endowment for the Arts Jazz Master Fellowship – the highest U.S. honor for jazz musicians – in recognition of his extraordinary life achievements, contributions to advancing the jazz art form, and for serving as a mentor for a new generation of aspiring young jazz musicians. The year-long birthday celebration included performances at the Monterey and Newport Jazz festivals, a tour of Europe with The Jack DeJohnette Group (a quintet he formed in 2010) and several concerts with Chick Corea and Stanley Clarke.

Despite all the awards and accolades, though, DeJohnette continues to make the creative process his highest priority. To that end, his most recent recording is Sound Travels, a nine-song, genre-spanning album that includes Latin rhythms and West Indian energy, meditative pieces and straightahead jazz. Included in the long list of guest players is Esperanza Spalding, Bobby McFerrin, Bruce Hornsby and Jason Moran.

ABOUT CULTURE SHOCK MIAMI ( http://www.CULTURESHOCKMIAMI.COM ), a program of the Miami-Dade County Department of Cultural Affairs, provides an affordable and attractive way to encourage high school and college students ages 13-22 to buy tickets to the rich variety of cultural events. The program is designed to introduce this next generation of audience members to live arts and cultural experiences at the age when they are beginning to make their own decisions about entertainment options. Based on research that shows most people begin their appreciation for the arts at a young age, is founded on the premise that when kids make the arts a regular entertainment choice, they are more likely to become the full-price ticket buyers and subscribers of the future.’s program partners include African Heritage Cultural Arts Center, Miami-Dade County Auditorium, South Miami-Dade Cultural Arts Center,, the Miami-Dade County Public School System, local arts organizations, and area colleges and universities.

Throughout the year, many Miami-Dade museums and cultural sites make two-for-$5 admission passes available to visitors. They include The Wolfsonian, Vizcaya Museum & Gardens, Fairchild Tropical Botanic Garden, Patricia and Phillip Frost Museum of Science, Perez Art Museum Miami, HistoryMiami, ZooMiami, Bass Museum of Art, Museum of Contemporary Art, and many more.

Culture Shock Miami was inaugurated in 2005-06 by the Miami-Dade County Department of Cultural Affairs, with a generous grant from The John S. & James L. Knight Foundation. Since then, it has sold over 60,000 tickets through its website A core group of arts organizations participate regularly in the program, including Actors' Playhouse, Adrienne Arsht Center, Cleveland Orchestra Miami, Dranoff 2 Piano Foundation, Fairchild Tropical Botanic Garden, Florida Grand Opera, Miami City Ballet, New World Symphony, Vizcaya Museum and Gardens, and ZooMiami. The Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council develop cultural excellence, diversity and participation throughout Miami-Dade County by strategically creating and promoting opportunities for artists and cultural organizations, and our residents and visitors who are their audiences. The Department directs the Art in Public Places program and serves its board, the Art in Public Places Trust, commissioning, curating, maintaining and promoting the County’s art collection. The Department also manages, programs and operates the South Miami-Dade Cultural Arts Center, a campus of state-of-the-art cultural facilities in Cutler Bay, as well as Miami-Dade County Auditorium, Joseph Caleb Auditorium and the African Heritage Cultural Arts Center, all dedicated to presenting and supporting excellence in the arts for the entire community. Through staff, board and programmatic resources, the Department, the Council and the Trust promote, coordinate and support Miami-Dade County’s more than 1,000 not-for-profit cultural organizations as well as thousands of resident artists through grants, technical assistance, public information and interactive community planning. The Department receives funding through the Miami-Dade County Mayor and Board of County Commissioners, The Children’s Trust, the National Endowment for the Arts, the State of Florida through the Florida Department of State, Division of Cultural Affairs and the Florida Council on Arts and Culture, and the John S. and James L. Knight Foundation. Other support and services are provided by TicketWeb for the Culture Shock Miami program, the Greater Miami Convention and Visitors Bureau, the South Florida Cultural Consortium and the Tourist Development Council.


The African Heritage Cultural Arts Center ( is the nucleus of arts learning, training and access for Miami-Dade County’s African-American community. The Center promotes and fosters the rich, diverse cultural perspective of people of African Heritage through high quality instruction for children and youth in dance, drama, instrumental music, vocal music, media and visual arts; the nurturing of in-house performing arts companies; a residency program for emerging artists; as well as exciting performances and visual arts exhibitions for the public. The 2015-2016 performance season marks a remarkable milestone for African Heritage Cultural Arts Center as it celebrates 40 years of community building through the arts. The African Heritage Cultural Arts Center complex includes a black box theater, a music building with a concert hall, piano lab and several practice rooms, a dance studio that is accessible to individuals with disabilities, an art gallery, several studio spaces, a scene shop and classrooms. The Center is managed by the Miami-Dade County Department of Cultural Affairs, with funding support from the office of the Miami-Dade County Mayor and Board of County Commissioners.

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Christina Tassy-Beauvoir
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