Family of Oscar-Nominated, Cannes Critics’ Prize Winning Filmmaker—and Arguably Best-Kept-Secret—James Blue, Bequeaths His Life's Archive to University of Oregon Library

Blue Family launches nonprofit foundation and first James Blue Award to support filmmakers who exemplify Blue’s socially engaging, interactive methods for giving voice to voiceless communities around the world. Few people know that it was Blue who directed The March (1964), the essential film of the Civil Rights Movement featuring Martin Luther King’s celebrated “I Have a Dream” speech.

Portland, Oregon (PRWEB) April 22, 2014

Who was James Blue? Revolutionary and award-winning filmmaker, rebel, and change agent for social justice James Blue died in 1980 at 49 leaving behind a remarkable legacy. The intensely ambitious filmmaker, who graduated from Jefferson High School and University of Oregon, turned his back on a Hollywood career to focus on democratizing media production. He was fascinated by/haunted by/conflicted about film as an exercise of power and his unconventional style of filmmaking (and film education) influenced an entire generation of filmmakers. Still, few people know of this rare national treasure. But thanks to the collaboration of the Blue family and the University of Oregon, James Blue’s own voice will now be heard and seen in perpetuity.

James Blue was a man of firsts:

  •     Oregon’s first Oscar-nominated filmmaker in 1968 (A Few Notes on Our Food Problem);
  •     America’s first Cannes Critics’ Prize winner in 1962 (Olive Trees of Justice);
  •     The first filmmaker ever to receive a Ford Foundation grant for his project interviewing leading international directors working with non-actors;
  •     First faculty recruited to the Center for Advanced Film Studies at American Film Institute;
  •     Founder of the documentary film programs at both Rice University and Center for Media Study at SUNY Buffalo;
  •     Founder the Southwest Alternative Media Project (SWAMP) in Houston.
  •     Member of the National Endowment for the Arts (NEA) media funding panel which launched the first network of regional film centers including Portland’s Northwest Film Center.

Few people know that it was Blue who directed The March (1964), the essential film of the Civil Rights Movement featuring Martin Luther King’s celebrated “I Have a Dream” speech. In 2008, “The March” was selected for preservation in the Library of Congress’ National Film Registry taking its place among the most important films ever made. Add to that, among some of Blue’s students while he was teaching at UCLA were rocker Jim Morrison (The Doors) and Francis Ford Coppola. You would think with such lofty credentials, James Blue would be a recognizable name in American film history, but as remarkable as his accomplishments are, his American obscurity is even more so.

So why do so few know about James Blue? Legally bound by one employer, the United States Information Agency (USIA) and the 1948 Smith-Mundt Act, which dictated that US propaganda films not be distributed in America, Blue’s films could not be shown in his home country. It didn’t help his notoriety in the U.S. that his early films were made in foreign languages and in foreign countries and not about subject matter germane to most Americans at the time. Blue’s work for the USIA included A Few Notes on Our Food Problem, which won an Oscar nomination for Best Documentary Feature. Thirty more years would pass before the name James Blue would attach itself to his international reputation of revolutionary filmmaker in America.

Now, in order to preserve and share Blue’s complete body of work, Richard Blue, chairman of the James and Richard Blue Foundation will bequeath the James Blue Archive to the University of Oregon Library Special Collections and University Archives. The foundation also presents the James blue Award to the filmmaker who best personifies the humanist values of James Blue.

“The mission of the foundation is not only to preserve and share James’ complete body of work, but to support film educators, filmmakers, researchers and students whose values and activities advance his vision of participatory media,” said Richard Blue. “We want to remember James Blue as an extraordinary filmmaker, documentarian and influential educator. His life work has left a legacy of profound implications for social justice as he documented the hopes and dreams of people whose voices are rarely—if ever—heard by people in power. James had an innate belief that ‘democracy demanded that our public media be more diverse in giving access to a variety of new voices.’

About the James and Richard Blue Foundation
The mission of the James and Richard Blue Foundation is to honor and celebrate the life and legacy of award-winning filmmaker James Blue (1930—1980) and to support film educators, filmmakers, researchers and students whose values and activities advance his vision of ‘participatory media.’ James Blue was an unconventional documentarian who used film to help marginalized communities tell their own stories while helping audiences better understand the complexities of the human condition. His life’s work had profound implications for social justice as he documented the hopes and dreams of people whose voices are rarely—if ever—heard by people in power. One of Blue’s most inspiring films, “The March” (1964), is considered the essential documentary of the Civil Rights Movement and Martin Luther King Jr.’s celebrated “I Have a Dream” speech. The foundation has now bequeathed the entire body of James Blue’s works and memoirs to the University of Oregon Libraries Special Collections and University Archives. The organization collaborates with the University of Oregon to preserve, conserve, restore and utilize the entire body of James Blue’s media legacy while supporting education in the art and craft of documentary filmmaking. The foundation aims to advance the core values of James Blue’s passion for using media to explore, connect and empower voiceless communities by awarding annual grants to students and emerging filmmakers who exemplify his artistry. For more on James Blue and his contributions to international film, visit http://jamesblue.uoregon.edu/, http://www.jamesbluetribute and http://www.facebook.com/JamesandRichardBlueFoundation.


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James Blue, award-winning filmmaker, documentary filmmaker James Blue on location.

Unconventional and award-winning filmmaker James Blue gave voice to voiceless communities around the world.


James Blue produced award-winning documentaries, films about social justice James Blue, Oscar-nominated filmmaker (1930--1980)

James Blue won the Cannes Critics' Prize in 1962


James Blue, award-winning filmmaker, master film educator James Blue was also a master educator on film, documentary, cinema

Two of James Blues students at UCLA included Jim Morrison (The Doors) and Francis Ford Copolla


Award-winning filmmaker, rebel, social change agent James Blue (1930-1980) James Blue on location.

James Blue was nominated for an Oscar in 1968 for his film "A Few Notes on Our Food Problem"