Data Mining, Image Scraping, NFTs and #Selfies on View in Cassandra Zampini’s Booth at the NYC Affordable Art Fair

Share Article

NYC based artist Cassandra Zampini revisualizes the Internet. She creates mined-image collages from social media and other internet sources that aim to stimulate introspection about the temporary and permanent effects of our ever-evolving technological world.

Artist Cassandra Zampini will be debuting nine works of art at the annual Affordable Art Fair— a range of all new work— at the fair’s New York City venue, the Metropolitan Pavilion in Chelsea. Zampini is a New York-based photographer turned digital artist. She creates mined-image collages from social media and other internet sources that aim to stimulate introspection about the temporary and permanent effects of our ever-evolving technological world. The digital prints and video on view encapsulate the artist’s concerns on issues of data excess, authenticity and privacy. Zampini seeks to illustrate both our current sense of self-identity — through “selfies” and gestures— and our collective cultural identity through the lenses of politics and consumerism.

By incorporating data mining into her artistic practice, Zampini creates artworks that are composite portraits documenting our digital lives. She begins her process akin to a data scientist by scraping — a process of extracting data from websites— to scour for images searchable by hashtags such as, “#selfie.” After the algorithm harvests millions of images, she then begins the complex and tedious process of organizing the collected visual information. Each image is painstakingly placed into categories that document popular movements, trends, and behaviors, taking months to complete. The composite portraits are then assembled digitally image by image, one by one, like the tesserae arranged by a mosaicist. The artist personally selected and placed each image into the collage with thoughtful consideration of tone, camera angle, and reoccurring gestures or facial expressions.

At times her finished collage works remain digital, and seek to overstimulate by concurrently playing and constantly replacing each “tile” with a new video. Other artworks are physical and printed as large-scale photographs in small editions. Some of the prints are washed or screen-printed with a custom black ink formula, yielding a ghostly inverted or almost silhouetted image similar to the metallic qualities of daguerreotype. Each physical artwork allows the viewer to calmly contemplate a snapshot of our overwhelming online culture distilled to a single composite image. The results are aesthetically pleasing image mosaics that vary from an aggregate video bombardment to a physical manifestation of data-at-rest.

Her solo booth will exhibit eight artworks including: the NFT video MediaWarfare, which chronicles various alarming misinformation hashtag campaigns such as, #PizzaGate or #SecondCivilWar; the large vertical print, #Flex, 1 Sec that documents mirror selfies of people flexing their bicep; Liked, two sandwiched acrylic panels that explore women objectifying themselves on social media for ‘likes’; three large archival prints mounted on dibond and inked that document hundreds of Starbucks cups selfies in #doubletheyou, posing militantly with firearms in #guns, or modeling with large fistfuls of money in #cash; the large archival print Sector 1, 3 Sec that includes 2,500 selfies organized by tone to represent the number of selfies uploaded to the web every three seconds; and nine, small, colorful prints of new work entitled, MemeWarfare_one. Her ninth work, ##_one, will be on view at the fair’s popular “Under $500 Wall.” Together, these artworks revisualize our everyday “screen time” experiences and encourage rumination of technology’s role and influence over our lives.

A self-taught artist, Zampini discovered her love for photography in college as an intern documenting poverty and the effects of globalization throughout South America. She developed a keen eye for capturing the complexity of anonymity and isolation present in a culture of self-promotion working in New York and Boston. In 2018, intrigued by issues of privacy online from the Facebook-Cambridge Analytic scandal, the artist transitioned from taking photographs of our everyday lives to mining those images from our digital media, her now preferred medium. Zampini’s work has been featured in solo and group exhibitions throughout the country, most recently at the Museum of Fine Arts, Houston, Texas; The Center for Creative Photography, at the University of Arizona; The Arnot Art Museum in Elmira, NY and is an invitee for the current traveling show, A Yellow Rose Project. In addition, her artwork is collected by private, public, and corporate collections including the Museum of Fine Arts in Houston and Pioneer Investments in Boston.

Cassandra Zampini’s artwork will be on view in her solo booth — Stand B14 — at the Affordable Art Fair from May 20 to 23, 2021 with a VIP preview on Wednesday, May 19, from 5 to 9 pm.

For further information, please contact

Share article on social media or email:

View article via:

Pdf Print

Contact Author

Cassandra Zampini